The Useful Trick to format your mobile phone if is affected by virus.
Only for NOKIA
1.Switch off ur phone...
2.Remove sim card & memory chip...
3.Now press & hold keys - 3,*,call(green) ...
4.Then without leaving these three buttons press power button(SWITCH ON BUTTON)...
5.Formatting task will be started...WITH WHITE AND BLACK SCREEN
6.Remember its a very rare trick....
Tuesday, August 17, 2010
THILLALANGADI Tamil Movie Review
Starring: Jayam Ravi, Tamannah, Shaam,
Prabhu, Vadivelu.
Direction: Jayam Raja
Music: Yuvan Shankar Raja, Thaman
Production: Jayam Company
Director Jayam Raja is back to doing what he is best at - remakes - and proves that he is after all a master in this craft. This time around, he has used the Telugu flick Kick to adapt to Tamil settings with plenty of spices to augment the original product. After an impressive performance in Peraanmai, Ravi is in his home turf under [Image] Raja’s baton. The brother duo combination along with Tamannah and an ensemble star cast has delivered a lengthy (solid three hours and ten minutes) entertainer.
Thillalangadi is about a young man Krishna (Ravi), who is restless and seeks something in life which he himself is not sure of. He gets kicks out of doing things extraordinary. He cannot stay in a job which fetches him a lakh of rupees for more than a month because it gives him the kicks to throw his job away. Normalcy is his pet peeve and he goes to any extent to just enjoy the ‘KICK’; in the process baffles and miffs people around him. His parents Prabhu and Suhasini understand him and leave him to his destiny knowing very well that Krishna will never go astray.
The film opens with a generous footage of Nisha (Tamannah) doing yoga in a sexy avatar in all possible angles in Malaysia. (A surprise for a Jayam Raja film!) Her parents bring forth an alliance for her and she is asked to meet a boy in a train. She agrees with much reluctance and meets the boy Krishna Kumar (Shaam). The story starts unfolding with Nisha narrating how she met Krishna (Ravi) and parted her ways with him.
Nisha’s first meeting with Krishna itself is an excited event wherein she tries to help her friend (MLA Nalini’s daughter) who wishes to elope with her driver Das (Sathyan). Krishna being a friend of Das appears to double time the couple in love only to get them married off. From then on, it is fiery encounters between the lead couple that oscillates between love and hate. When Nisha completes her story, it is Shaam’s turn and he divulges the real reason for his Malaysian visit. The rest of the film is about Nisha and Krishna’s love, misunderstanding and Shaam’s mission with some predictable and some unpredictable events.
Thillalangadi is almost scene by scene replica of the original Kick. Raja’s narration is interesting but is way too long. In fact, the second half is tediously lengthy to the point of exhaustion. The ‘family’ feel which is generally present in Raja’s films is missing in Thillalangadi. That apart, he has dealt with a subject that is a wee bit unusual in his own style. The film, in its first half is ridiculously silly and asinine in some parts but slowly warms up later.
Vadivelu plays a significant role to up the laughter quotient and he is aided by Santhanam, Mansoor Ali Khan, Radha Ravi, John Vijay and others in the rest of the film. Ravi looks dashing; dances well, fights energetically, emotes brilliantly but his voice is a major let down especially when he tries to mouth macho dialogues. Tamannah does what is expected of her. Looks like the lady has relaxed her rules about costumes and her glamorous avatar in the film is bound to be a hit with youngsters. Shaam looks stunning and delivers well too. It is a pity that this actor’s potential has not been completely utilized in Tamil films. The other cast members are adequate.
The locations are good and there is a ‘beauty’ feel to the entire film. Everybody is clothed in vibrant colors, courtesy Nalini Sriram. Her choice and color of costumes are trendy and noticeable. Major support to Thillalangadi comes from the music department where Yuvan Shankar Raja and Thaman come to the fore. All the songs are hummable and the much talked about ‘Sol Pechu Ketkaada Sundari’ is interesting with five Tamannahs and ten Rajas. However, in the second half, Pattu Pattu Pattampoochi (sung by Silambarasan) is a total misfit in terms of mood and is forced. The song follows a heavy mood from the lead pair but the dance sequences are chirpy. And when you thought the film is nearing completion, the Thothu Ponene number comes up reminding clearly of the Telugu connection.
There are many logical loopholes, which can be conveniently forgiven, as this film is not about any serious stuff. Thillalangadi has comedy, action, romance, glamour, sentiment and all the pertinent ingredients in perfect concoction and is a jolly good ride. It has something for everyone!
Verdict – Enjoyable entertainer!
Prabhu, Vadivelu.
Direction: Jayam Raja
Music: Yuvan Shankar Raja, Thaman
Production: Jayam Company
Director Jayam Raja is back to doing what he is best at - remakes - and proves that he is after all a master in this craft. This time around, he has used the Telugu flick Kick to adapt to Tamil settings with plenty of spices to augment the original product. After an impressive performance in Peraanmai, Ravi is in his home turf under [Image] Raja’s baton. The brother duo combination along with Tamannah and an ensemble star cast has delivered a lengthy (solid three hours and ten minutes) entertainer.
Thillalangadi is about a young man Krishna (Ravi), who is restless and seeks something in life which he himself is not sure of. He gets kicks out of doing things extraordinary. He cannot stay in a job which fetches him a lakh of rupees for more than a month because it gives him the kicks to throw his job away. Normalcy is his pet peeve and he goes to any extent to just enjoy the ‘KICK’; in the process baffles and miffs people around him. His parents Prabhu and Suhasini understand him and leave him to his destiny knowing very well that Krishna will never go astray.
The film opens with a generous footage of Nisha (Tamannah) doing yoga in a sexy avatar in all possible angles in Malaysia. (A surprise for a Jayam Raja film!) Her parents bring forth an alliance for her and she is asked to meet a boy in a train. She agrees with much reluctance and meets the boy Krishna Kumar (Shaam). The story starts unfolding with Nisha narrating how she met Krishna (Ravi) and parted her ways with him.
Nisha’s first meeting with Krishna itself is an excited event wherein she tries to help her friend (MLA Nalini’s daughter) who wishes to elope with her driver Das (Sathyan). Krishna being a friend of Das appears to double time the couple in love only to get them married off. From then on, it is fiery encounters between the lead couple that oscillates between love and hate. When Nisha completes her story, it is Shaam’s turn and he divulges the real reason for his Malaysian visit. The rest of the film is about Nisha and Krishna’s love, misunderstanding and Shaam’s mission with some predictable and some unpredictable events.
Thillalangadi is almost scene by scene replica of the original Kick. Raja’s narration is interesting but is way too long. In fact, the second half is tediously lengthy to the point of exhaustion. The ‘family’ feel which is generally present in Raja’s films is missing in Thillalangadi. That apart, he has dealt with a subject that is a wee bit unusual in his own style. The film, in its first half is ridiculously silly and asinine in some parts but slowly warms up later.
Vadivelu plays a significant role to up the laughter quotient and he is aided by Santhanam, Mansoor Ali Khan, Radha Ravi, John Vijay and others in the rest of the film. Ravi looks dashing; dances well, fights energetically, emotes brilliantly but his voice is a major let down especially when he tries to mouth macho dialogues. Tamannah does what is expected of her. Looks like the lady has relaxed her rules about costumes and her glamorous avatar in the film is bound to be a hit with youngsters. Shaam looks stunning and delivers well too. It is a pity that this actor’s potential has not been completely utilized in Tamil films. The other cast members are adequate.
The locations are good and there is a ‘beauty’ feel to the entire film. Everybody is clothed in vibrant colors, courtesy Nalini Sriram. Her choice and color of costumes are trendy and noticeable. Major support to Thillalangadi comes from the music department where Yuvan Shankar Raja and Thaman come to the fore. All the songs are hummable and the much talked about ‘Sol Pechu Ketkaada Sundari’ is interesting with five Tamannahs and ten Rajas. However, in the second half, Pattu Pattu Pattampoochi (sung by Silambarasan) is a total misfit in terms of mood and is forced. The song follows a heavy mood from the lead pair but the dance sequences are chirpy. And when you thought the film is nearing completion, the Thothu Ponene number comes up reminding clearly of the Telugu connection.
There are many logical loopholes, which can be conveniently forgiven, as this film is not about any serious stuff. Thillalangadi has comedy, action, romance, glamour, sentiment and all the pertinent ingredients in perfect concoction and is a jolly good ride. It has something for everyone!
Verdict – Enjoyable entertainer!
Vamsam Tamil Movie Review
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At the outset, in Vamsam, Pandiraj has attempted to record the life styles, the culture, traditions of a community called Devar in the interior Tamil Nadu. There are 11 sects belonging to this community who are well known for a particular trait; one for rendering unequivocal justice, one for revenge, one for adventure sports etc.
Kishore belongs to the tribe which excels in rekla, silambam and other such games and always comes up trumps in any activity that he is involved in. Jayaprakash on the other hand belongs to the sect which avenges any form of humiliation. Not withstanding Kishore’s triumphs, he kills him mixing poison in his liquor. Jayaprakash’s intentions are to completely erase the clan of Kishore. However Kishore’s wife, who was pregnant during the time of her husband’s death, decides to raise her offspring away from the habits of her husband which brought him his untimely end. Fortunately for her, Jayaprakash spares her son.
Arulnidhi, son of Kishore is a very timid boy, a post graduate in Botany who minds his business. Unable to manage a cow (Asin), he sells it to Sunaina’s family but Asin runs back to Arulnidhi’s house. This leads to interesting interactions between the couple which ultimately blossom into love. Asin plays the messenger of love between the couple and the reason for their frequent meetings.
Meanwhile, Sunaina’s father who belongs to the clan of giving out justices, hands out a verdict in favor of Jayaprakash’s servant who was ill treated by him. Irked by the disgrace Jayaprakash kills him. Upset by this, Sunaina throws a pail of dung over Jayaprakash’s face in open street which is the pinnacle of ignominy for a person in the community. This triggers the series of revenge episodes in a relay fashion and where it all leads and ends form the rest of Vamsam.
In the department of performances, a deglamorized Sunaina takes the cake revealing that she can deliver any type of role. Although Arulnidhi fits the role of a docile, educated boy, he has a long way to go. The sequences where the couple in love talk in botanical terms is something new to Tamil cinema in recent times and would be enjoyable for Botany students. Ganja Karuppu and Arulnidhi take care of comedy department which are enjoyable. Kishore delivers a neatly crafted performance and so is Jayaprakash.
The screen play does tend to get wobbly at times and meanders here and there making it to difficult to connect with the film. Although there are incidents of killing, they have not been depicted grotesquely. The Thiruvizha scenes stand out in their native grandeur and the camerawork by Mahesh Muthusamy is laudable. The explanation about killing during Thiruvizha times is something new.
Music director Taj Noor; an erstwhile assistant of A R Rahman, shows potential especially in the pada pada pattampoochi number. He is efficient and sure to go places with the right kind of opportunity.
Pandiraj is successful in showcasing the life of a community in its various facets which could be interesting to some. He has fused realism and cinematic elements in the right proportion and has sliced his way through the path less trodden with considerable aplomb this time also.
Verdict – Illustrious lineage!
New Tricks For Hiding Folders
Trick For Hiding Folder in the computer ,
The Code is:
To Invisible:
Open Cmd Prompt and type : attrib +s +h (destination folder without brackets)
To Visible Again:
Open Cmd Prompt and type : attrib -s -h (destination folder without brackets)
Thanks.
The Code is:
To Invisible:
Open Cmd Prompt and type : attrib +s +h (destination folder without brackets)
To Visible Again:
Open Cmd Prompt and type : attrib -s -h (destination folder without brackets)
Thanks.
Monday, August 16, 2010
Introduction
hai Everyone...
this is my first post in my blog...
i am raghu working as software Engineer in maldives.
the use of this blog to post some topics and tricks which will be very useful for us.
the topic will be not only in software ,computers...it will be A-Z.
Variety of topics will be discussed here...
Welcome To my Blog.....This is ARRK...THE ARRK...
Thanks,
A.Raghuramakarthikeyan
this is my first post in my blog...
i am raghu working as software Engineer in maldives.
the use of this blog to post some topics and tricks which will be very useful for us.
the topic will be not only in software ,computers...it will be A-Z.
Variety of topics will be discussed here...
Welcome To my Blog.....This is ARRK...THE ARRK...
Thanks,
A.Raghuramakarthikeyan
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